The Royal FamilyFree Blood
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Categories: Electronica
Submitted by: dubwithmorebass
Free Blood
Free Blod in a concrete room with no windows in the sweltering summer of 2003. The group is based in Brooklyn, New York.
The concept was simple: A soundtrack for parties gone awry.
Music to fuel awkward sexual dalliances, desperate yelled misunderstandings on the dance floor, toilets over-flowing with the night’s collective regurgitation, lonesome midnight ramblings, hair-brained (possibly illegal) parlour games, stereo components fried by heat and moisture, backyard furniture bonfires, power outages, mass hallucination, etc.
The instrumentation was kept to a minimum intentionally (two microphones, bass guitar and mechanical drums) so that the group could fit into any cramped corner, with an easy getaway in case the authorities (or audience, even) took issue with the noise. Free Blood began playing smaller venues and house parties around the Brooklyn and Manhattan boroughs, usually lugging their own PA to the gig so that the ear-splitting volume they were accustomed to in the practice space could be replicated. These performances were designed to leave the audience deaf, dumb and blind…and perhaps with smiles on their faces.
Since their inception they have shared the stage (and floor) with a variety of groups (Melt Banana, Suicide, Jamie Lidell, TV On The Radio), only leaving the State of New York once for a brief four-day tour in Japan. The first three years saw Free Blood as strictly a live phenomenon whose appearances were erratic and ridden with chaos.
Free Blod in a concrete room with no windows in the sweltering summer of 2003. The group is based in Brooklyn, New York.
The concept was simple: A soundtrack for parties gone awry.
Music to fuel awkward sexual dalliances, desperate yelled misunderstandings on the dance floor, toilets over-flowing with the night’s collective regurgitation, lonesome midnight ramblings, hair-brained (possibly illegal) parlour games, stereo components fried by heat and moisture, backyard furniture bonfires, power outages, mass hallucination, etc.
The instrumentation was kept to a minimum intentionally (two microphones, bass guitar and mechanical drums) so that the group could fit into any cramped corner, with an easy getaway in case the authorities (or audience, even) took issue with the noise. Free Blood began playing smaller venues and house parties around the Brooklyn and Manhattan boroughs, usually lugging their own PA to the gig so that the ear-splitting volume they were accustomed to in the practice space could be replicated. These performances were designed to leave the audience deaf, dumb and blind…and perhaps with smiles on their faces.
Since their inception they have shared the stage (and floor) with a variety of groups (Melt Banana, Suicide, Jamie Lidell, TV On The Radio), only leaving the State of New York once for a brief four-day tour in Japan. The first three years saw Free Blood as strictly a live phenomenon whose appearances were erratic and ridden with chaos.
Body Language
Sat, 03 Mar 2012 22:30:00
VENUE: Mercury Lounge 217 East Houston Street, New York, United States 10002
Late show - Doors 10:30 p.m.
$10 advance / $12 day of show
21+
$10 advance / $12 day of show
21+
SXSW Music 2012
Tue, 13 Mar 2012 16:07:01
VENUE: Austin Convention Center 500 East Cesar Chavez Street, Austin, United States 78701
After celebrating 25 years as the world's leading music industry event, the SXSW® Music and Media Conference is back to continue the tradition in 2012. Reaching a quarter of a century of being the biggest and most anticipated convergence of all things music, SXSW is ready to keep the reputation alive by programming an even better event each year.
By day, thousands of conference registrants network in the halls of the Austin Convention Center on their way to do business in the SXSW® Trade Show, sit in on informative panel discussions featuring some of the industry's key players, gain insight from legendary keynote speakers or plan out their abundant party schedules. At night, SXSW showcases roughly 2,000 musical acts from around the globe, representing well over 50 different countries, on over 90 stages in downtown Austin. All this, and so much more, combine to make SXSW one of the most revered music events, year after year.
By day, thousands of conference registrants network in the halls of the Austin Convention Center on their way to do business in the SXSW® Trade Show, sit in on informative panel discussions featuring some of the industry's key players, gain insight from legendary keynote speakers or plan out their abundant party schedules. At night, SXSW showcases roughly 2,000 musical acts from around the globe, representing well over 50 different countries, on over 90 stages in downtown Austin. All this, and so much more, combine to make SXSW one of the most revered music events, year after year.
- electronic
- dance punk
- indie
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