Kinda newSpektrum
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Category: Electronica
Submitted by: dubwithmorebass
With one smash debut album Enter The Spektrum released on Germany’s
acclaimed Playhouse imprint already tucked under their belt - which saw
the birth of globally-renowned singles Breaker, Freakbox and Kinda New -
Spektrum are back at last. ‘Fun at The Gymkhana Club’, for UKs Nonstop
Recordings, features singles Horny Pony, ‘May Day’ and latest offering
and blistering dance floor wobbler, ‘Don’t Be Shy.
Fun At… exudes the playful elements of Spektrums multifaceted personality. As well as boasting a tongue-in-cheek title - horseplay and cheeky hi-jinks taking place within the confines of the Pony Club establishment - the Gymkhana Club is also a term that refers to world of colonialism. This new album from Spektrum oozes with alternative undercurrents - they have stormed the Club and messed up all the codes. And its up to you to decipher them.
‘Fun At… provides an absorbing visual landscape. Opening up with the marching scenes of ‘May Day’ - all thigh-high leather boots and tight uniforms, we then slip into ‘Horny Pony - all galloping fillies, whips and stirrups. Next up is ‘Moody Feels Good’, a wall-climbing blur of psychedelia. We then get dragged onto the light-up dance floor with Dont Be Shy, and pulled straight off into the darker back room antics of Cedar. Sugar Bowl brings us down a level, lost in clouds and bubbles everywhere. The Bones is a brisk walk into the realities of daylight which soon transforms into a confused stagger into the bloodshot sunset ahead of Cut Me Off.
Fun At… exudes the playful elements of Spektrums multifaceted personality. As well as boasting a tongue-in-cheek title - horseplay and cheeky hi-jinks taking place within the confines of the Pony Club establishment - the Gymkhana Club is also a term that refers to world of colonialism. This new album from Spektrum oozes with alternative undercurrents - they have stormed the Club and messed up all the codes. And its up to you to decipher them.
‘Fun At… provides an absorbing visual landscape. Opening up with the marching scenes of ‘May Day’ - all thigh-high leather boots and tight uniforms, we then slip into ‘Horny Pony - all galloping fillies, whips and stirrups. Next up is ‘Moody Feels Good’, a wall-climbing blur of psychedelia. We then get dragged onto the light-up dance floor with Dont Be Shy, and pulled straight off into the darker back room antics of Cedar. Sugar Bowl brings us down a level, lost in clouds and bubbles everywhere. The Bones is a brisk walk into the realities of daylight which soon transforms into a confused stagger into the bloodshot sunset ahead of Cut Me Off.
- electronic
- electro
- house
- electronica
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